Wishing for a Better World
Welp, I guess it’s time. Okay, before I get into this review, let me say (as I know I’ve said before) that I like Idea Factory. A lot, actually. Their games, in general, are quirky, fun, and easily digestible. Ol’ Iffy isn’t perfect, here, though. It’s not a secret that they, at times, seem to pump out games just for the sake of having more games to sell. Sometimes, that’s fine. And, in most cases, it’s been fine for Idea Factory. But Arc of Alchemist is not “most cases”. I’m not happy that I have to say this, but I’ll say it anyway; I’m pretty sure that IF knew that this game shouldn’t have been released in its current state. Especially not the Switch version. Actually, they did know that, because the US release got delayed so that they could add a little more to it… or at least I would assume. Sadly, it still wasn’t enough. Arc of Alchemist just isn’t that good—and the fact that I see potential in it makes it that much more frustrating.
A Last Chance at Life
The beginning of Arc of Alchemist, much like the beginning of this review, is rather bleak. The game takes place on a futuristic Earth, where mankind has over-utilized Mother Nature’s natural bounty so much that our once-blue-and-green planet is now largely nothing more than a barren desert, scattered with remnants of a flourishing society past—a true husk of its former self. Fortunately for humanity—or, at least, what’s left of it—hope isn’t entierly lost. Tales of a mysterious Great Power, hidden within the Desert of Beginnings have tantalized those who rule over the few remaining kingdoms of Earth, compelling them to send out their finest bands of explorers in order to claim said power for their own—explorers such as Captain Quinn Bravesford and her small-yet-skilled brigade. Skillful or not, though, Quinn & co. won’t have an easy time finding the Great Power. Between nasty desert-dwelling creatures, rogue automatons, and troupes from rival kingdoms, this expedition is all but assured to be a struggle for survival through-and-through.
I’m sure that you’ve figured it out, but this game’s story is pretty generic. To be fair, the plot itself isn’t overly bland or anything. Sure, there’s plenty of “post-civilization” stuff, but the game does a good job at setting up a world full of societal and technological progression and regression—but setting up is all that it really does. Not only is there ultimately very little in terms of telling the entirety of the story, but the actual storytelling itself is so blase that it’s easy to forget the specifics of what actually happens. It attempts to make up for this by showing you “skits” detailing each character’s background, but this doesn’t really do much, either. They’re pretty generic, and they’re also forced upon the player each time you go back to your home base, which is pretty annoying if you’re just dropping in to check on something. To be fair, there are a few cute moments here and there, but other than that you wouldn’t be missing much if you skipped all of the dialogue. I don’t actually recommend doing that, though.
Sun, Sand, and… Not Much Else
If there’s one thing that I need to credit IF for, it’s the fact that they attempted to take Arc of Alchemist‘s mechanics in a direction much different from their normal games by making it a hack-and-slash RPG with large spaces to roam around in and plenty of nooks to explore. Given the fact that 90% of this game takes place within a desert—literally all areas but one—that’s honestly a really good choice. …but it seems like they took the whole “make the game like a desert” motif a little too far, because, much like deserts themselves, there’s never a whole lot to do. Honestly, I think that the game sets itself up in a neat way (and I say that very earnestly). I liked that IF was abandoning their normal dungeon-crawler shtick in favor of something slightly more open-world. But an open world doesn’t mean anything if its lacking in things to do. Sure, the game spawns plenty of enemies, and the occasional treasure chest and/or item collection point, but not nearly enough to justify putting in as much open space as they did. There is way too much empty space in this game, and the amount of times the game tries to trick you into exploring it all by making you think that you’re heading into some secret, treasure-filled nook only to be rewarded with nothing is kind of annoying.
While I’m on the topic of exploration, I should probably take the time to talk about the game’s one unique mechanic; the Lunagear. Scattered throughout the game are things known as “gimmicks”. Ranging anywhere from tall cliffs, to raging fires, to icy crevices, gimmicks vary quite about in all ways but one—they require the use of the Lunagear to overcome. By harnessing elemental powers such as Water and Fire, players can use the Lunagear to interact with gimmicks and solve puzzles. But, of course, there’s a problem: the game doesn’t exactly seem to know what it’s doing with gimmicks. Sure, some of them are really straightforward, making it easy to see when and why you need to interact with them, but others just seem… random. There are torches in the middle of the desert that do nothing when lit, fans that look like they open doors but don’t (and also seem to have broken animation cycles), and raging fires that are faster to walk around than put out. I get putting in “false gimmicks” in order to cleverly trick the player, but the amount of seemingly random and useless gimmicks left me feeling very perplexed and a tad frustrated.
Fortunately, while exploration and “puzzle”-solving might leave something to be desired, the game’s combat is actually pretty decent. As I’ve already said, Arc of Alchemist features real-time hack-and slash combat. Fights themselves are pretty light mechanically, with players being able to perform two different normal attacks, a special attack, and a dodge roll. Naturally, said attacks vary between weapon type, but that’s not all—they also vary from weapon to weapon as well! Yeah, some of the different attacks are alike, but it’s still a cool way to spice things up. And, speaking of spicing things up, Arc of Alchemist is pretty nice with its customization. Players are able to equip Quinn with any type of weapon (although I personally stuck with swords), and can build a party of three from an impressive 11-character roster—including parties without the game’s leading lady (which is actually a feature new to this version of the game)! Unfortunately, the same can’t be said for the game’s enemies. While I suppose that you could argue that not much life exists on a planet in as bad a shape as the one in this game, there’s still no excusing how little diversity there is when it comes to enemy types. Swarms of scorpions, giant frogs, and robots are cool and all, but they aren’t immune to becoming stale.
There’s one more thing that I need to talk about it, here; the framerate. I’ve played games before that occasionally chug in certain areas. Some of them have been Idea Factory titles, and some haven’t. I get that not everything’s going to be perfect. But the way that this game plays in handheld mode is inexcusable. I don’t think that I’ve ever seen such a poor framerate on the Switch. Yes, I know that the Switch isn’t the most powerful system on the market. But IF should have taken that into consideration and made adjustments accordingly, because it’s borderline unplayable. And what of docked mode? Well, it’s certainly better, but it’s not great. So, if you plan on buying the Switch version of this game, please keep all of this in mind.
Finally, there’s the player’s HQ. Acting as both a literal and metaphorical base, the HQ is where players can go to save, replenish their stock, and purchase items. But that’s not all! By scavenging for items and collecting enemy loot, players can build up their HQ by investing in it and adding buildings which, in turn, lets them access a greater variety of goods to purchase and trade for. And, honestly, as simple as it is, it works pretty well. The only real complaint that I have regarding it is how difficult it is to max everything out. Some of the items needed for your final few investments are extremely hard to find—only being dropped by optional, level 99 bosses—making farming both monotonous and difficult due to the game’s wonky level pacing which sees you zip-zooming up to level 60 easy-peasy and then slowing it to a crawl up until 100. At least it’s entirely optional!
What’s Done is Done
You might have noticed that I’ve reviewed both the Switch and PlayStation 4 versions of this game. And, while I fully admitted that I had fun with the PS4 version, I can’t say the same for this. Part of the appeal of the Switch is being able to play the game on the go—something that you can’t currently do with this version of the game. If you really want to play the game and don’t want to wait, I’d just suggest getting it for PS4 as it runs more smoothly. But, for those diehard handheld fanatics out there, I’d hold off on getting this until it gets patched. If it ever gets patched at all.
Final Verdict: 2.5/5
Available on: Nintendo Switch (reviewed), PlayStation 4; Developer: Idea Factory, Compile Heart; Publisher: Idea Factory International; Players: 1; Released: January 30, 2020; MSRP: $39.99
Full disclosure: This review is based on a Nintendo Switch review copy of Arc of Alchemist given to HeyPoorPlayer by the publisher